➲ The First Bohemians: Life and Art in London's Golden Age Read ➺ Author Vic Gatrell – Rvtrek.info

The First Bohemians: Life and Art in London's Golden Age The Colourful, Salacious And Sumptuously Illustrated Story Of Covent Garden The Creative Heart Of Georgian London From Wolfson Prize Winning Author Vic GatrellIn The Teeming, Disordered, And Sexually Charged Square Half Mile Centred On London S Covent Garden Something Extraordinary Evolved In The Eighteenth Century It Was The World S First Creative Bohemia The Nation S Most Significant Artists, Actors, Poets, Novelists, And Dramatists Lived Here From Soho And Leicester Square Across Covent Garden S Piazza To Drury Lane, And Down From Long Acre To The Strand, They Rubbed Shoulders With Rakes, Prostitutes, Market People, Craftsmen, And Shopkeepers It Was An Often Brutal World Full Of Criminality, Poverty And Feuds, But Also Of High Spirits, And An Intimacy That Was As Culturally Creative As Any Other In History Virtually Everything That We Associate With Georgian Culture Was Produced Here Gatrell s rip roaring read draws the highs and lows of life, art and personality in Covent Garden in the Eighteenth Century with all the exuberance and fun of a Thomas Rowlandson sketch The last four chapters in particular are great fun And reconfirm the author s reputation as the punk rocker of art history. A charming portrait of 18th century Covent Garden and the people there the highs and lows, the famous, the infamous and the less known As is said, somewhere in the book and I m paraphrasing , the ordinary people are the ones that are hardest to come close to, for the simple reason that they leave so few traces in the records But even so, not much is missing in this densely populated book I can t remember having read a book that so informatively and intelligently places art in the context of both time and geography Unfortunately, the reproductions in the edition I read were not clear enough or large enough to see the details guess that s a good enough reason to go to London and see some of the original. Covent Garden, London in the eighteenth century is the setting and its population of writers and artists are the characters Johnson, Hogarth, Reynolds, Goldsmith, Turner, Burney, Rowlandson and others are all here But the book is mostly social history The sights, sounds and smells usually bad that effected what the above wrote and painted are fully detailed This close knit warren of streets was home to much crime and punishment It was still a time when locals were encouraged to pelt crimi Covent Garden, London in the eighteenth century is the setting and its population of writers and artists are the characters Johnson, Hogarth, Reynolds, Goldsmith, Turner, Burney, Rowlandson and others are all here But the book is mostly social history The sights, sounds and smells usually bad that effected what the above wrote and painted are fully detailed This close knit warren of streets was home to much crime and punishment It was still a time when locals were encouraged to pelt criminals in the pillory till they died making all the art and literature that came from this time and place all theremarkable An enjoyable and well written look at the lively world of the Covent Garden area in the 18th Century.I very much enjoyed City of Laughter and I enjoyed this also the focus is a little wider, starting off with the environment of Covent Garden, the sort of houses, shops and spaces that were there and how they were depicted before going into a tension between artists who portrayed real life and those primarily of the Royal Academy who were making art that wasneo classical and refined.Th An enjoyable and well written look at the lively world of the Covent Garden area in the 18th Century.I very much enjoyed City of Laughter and I enjoyed this also the focus is a little wider, starting off with the environment of Covent Garden, the sort of houses, shops and spaces that were there and how they were depicted before going into a tension between artists who portrayed real life and those primarily of the Royal Academy who were making art that wasneo classical and refined.Then we had a chapter on Hogarth, one on Rowlandson and one on Turner These last three chapters, interesting as they were, didn t seem to contribute much to the Covent Garden theme and seemedtangental to it.I definitely liked the first part about Covent Garden as a place most I also love how his feeling for the 18th Century where the writing is no nonsense and propels us niftily to the point as opposed to the 19th Century which is windy tosh is exactly my feelings.I m still not convinced we called call the people of Covent Garden Bohemian though, even following his definition an attitude of dissent, from the prevailing attitudes of the middle class as most of the people in Covent Garden were the middle class Also, people like Hogarth were desperate to be of a higher social status and the writers wrote for money I just don t think there is the anti middle class element to call them Bohemian This book focuses the London neighborhood of Covent Garden in the 18th century where some early Bohemian artists lived The first chapters focus on urban and social history while it moves toward art history and biography While in my own mind, I tend to think of 18th century England as a world of gentlemen in wigs and neoclassical art, this book focuses on the innovative humorists and pedestrian artists that depicted the low brow aspects of life in London that would later be swept under the ru This book focuses the London neighborhood of Covent Garden in the 18th century where some early Bohemian artists lived The first chapters focus on urban and social history while it moves toward art history and biography While in my own mind, I tend to think of 18th century England as a world of gentlemen in wigs and neoclassical art, this book focuses on the innovative humorists and pedestrian artists that depicted the low brow aspects of life in London that would later be swept under the rug,or less, during the Victorian age Much better than the last history of 18th Century London I read In the main because it has a much tighter focus the bohemians who lived in and around Covent GardenThere are pen pictures of some notable figures like Hogarth and lots of illustrations Good overview of the coffee house scene. A totally great, full to overflowing study of the Covent Garden art world in the eighteenth century Hogarth, Rowlandson, Blake, Gillray, and other incredible satirists, landscape painters and engravers burst from the pages If you re into this sort of thing, you ll really like it Gatrell uses the word whore a lot, which is mildly discomfiting, but then a lot of the time he s quoting eighteenth century men, for whom whore was merely a noun with no emotional charge Not pleasant and I did not like the author s writing style.


About the Author: Vic Gatrell

Vic Gatrell is a social historian of eighteenth and nineteenth century Britain, and a Life Fellow of Gonville and Caius College, Cambridge.a.k.a V.A.C Gatrell


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